Na břehu Barentsova moře sedí rybář. Najednou se z hlubin vynoří americká ponorka, otevře se poklop a objeví se voják.
Chvilku se dalekohledem dívá do okolí, potom zakřičí dolů: "Směr severo-severovýchod!" Zaleze, zabouchne poklop a ponorka zmizí v moři.
Rybář chvilku pokukuje směrem, kde ponorka zmizela a zanedlouho se vynoří ruská ponorka, ze které vykoukne voják, a když zpozoruje rybáře, zakřičí: "Hej ty tam!!! Nebyla tady náhodou před chvilkou americká ponorka?"
Tak je tu po pár měsících opět jedna bleskovka, doufám, že bude dost zájemců o diplomky. :) Takže odpovídejte a s chutí do toho!! :))
PS: Všem, kdo hlasují pro mě (v SONOsobnost pro Mila Ventimigliu), moc a moc děkuju!!! Kdybyste ještě někdo chtěli hlásnout, je to tady. Upozorňuju, že to není součástí bleskovky a není to povinnost!!!
A tady jsou otázky.
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- 1 - Váš nejoblíbenější seriál?
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- 2 - A co postava v něm?
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- 3 - Vyberte si aspoň dva z bodů:
a) Znáte seriál Hvězdná brána a pokud ano, koho z něj máte nejraději?
b) Znáte seriál Gilmorova děvčata a pokud ano, koho z něj máte nejraději?
c) Znáte seriál Dr. House a pokud ano, koho z něj máte nejraději?
d) Znáte seriál Kobra 11 a pokud ano, koho z něj máte nejraději?
e) Znáte seriál Sběratelé kostí a pokud ano, koho z něj máte nejraději?
f) Znáte seriál M*A*S*H a pokud ano, koho z něj máte nejraději?
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- 4 - Sledujete nějaký seriál pravidelně, stylem Jestli to neuvidím, tak se zblázním... ?
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- 5 - Prosila bych jeden odkaz na jedno video (z youtube) z vašeho oblíbeného seriálu
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- 6 - Vaše přezdívka?
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- 7 - Co na diplomek?
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- 8 - Líbí se Vám tenhle blog? Ale upřímně, prosím. :)) Pokud ano, kterou rubriku máte nejraději? Negativní odpověď rozhodně nebude mít na výsledky bleskovky vliv. :)
The sun is sleeping quietly Once upon a century Wistful oceans calm and red Ardent caresses laid to rest
For my dreams I hold my life For wishes I behold my nights The truth at the end of time Losing faith makes a crime
I wish for this night time to last for a life-time The darkness around me Shores of a solar sea Oh how I wish to go down with the sun Sleeping Weeping With you
Sorrow has a human heart From my god it will depart I'd sail before a thousand moons Never finding where to go
Two hundred twenty-two days of light Will be desired by a night A moment for the poet's play Until there's nothing left to say
I wish for this night-time to last for a lifetime The darkness around me Shores of a solar sea Oh how I wish to go down with the sun Sleeping Weeping With you
I wish for this night-time to last for a lifetime The darkness around me Shores of a solar sea Oh how I wish to go down with the sun Sleeping Weeping With you....
Velma: My sister and I had an act that couldn't flop My sister and I were headed straight for the top My sister and I eared a thou a week at least (Oh, sure) But my sister is now, unfortunately, deceased
Oh, I know, it's sad, of course, But a fact is still a fact And now all that remains Is the remains Of a perfect double act!
Roxie, do you know you are exactly the same size as my sister? Oh, you would fit in her wardrobe perfectly. Look, why don't I just show you some of the act, huh? Watch this. (She dances) Now, you have to imagine this with two people. It's swell with two people.
First I'd....(Drums!) Then she'd...(Saxophone!) Then we'd...(Together!) But I can't do it alone! Then she'd... Then I'd... Then we'd... But I can't do it alone!
She'd say, "What's your sister like?" I'd say, "MEN," Yuk, yuk, yuk She'd say, "you're the cat's meow" Then we'd wow The crowd again When she'd go... I'd go... We'd go...
And then those ding-dong daddies started to roar Whistled, stomped, and stamped on the floor Yelling, screaming, begging for more.
And we'd say, "O.K. fellas, keep your socks up. You ain't seen nothing yet!"
(She dances.) Ah, aha, yeah! But I simply cannot do it alone.
Well? What did ya think? Come on, you can say. (Roxie gives her raspberry.)
Velma: O.K. O.K. The first part can always be rewritten. But the second part was really nifty. Watch this!
Then she'd...(See, get it, right?) Then I'd...(Then I kick really high...) Then we'd... But I can't do it alone! She'd say, "What state's Chicago in?" I'd say, "ILL!" Did ya get that? She'd say, "turn your motor off!" I can hear 'em cheerin' still When she'd go... I'd go... We'd go...(Sideways!) And then those two-bit Johnnies did it up brow To cheer the best attraction in town They really tore the balcony down
And we'd say, "O.K. fellas, O.K., we're goin' home, but here's a few more partin' shots!" And this...this we did in perfect unison. (She dances.) Cymbals crash crash crash Now, you've seen me goin' through it You can see there's nothin' to it But I simply cannot do it Alone!
NOUNCER: Ladies and Gentlemen, the Vickers Theater, Chicago's finest home of family and entertainment, is proud to announce a first. The first time, anywhere, there has been an act of this nature. Not only one little lady, but two! You've read about them in the papers and now here they are - a double header! Chicago's own killer dillers - those two scintillating sinners - Roxie Hart and Velma Kelly!
Roxie and Velma: You can like the life you're living You can live the life you like You can even marry Harry But mess around with Ike And that's Good, isn't it? Grand, isn't it? Great, isn't it? Swell, isn't it? Fun, isn't it? But nothing stays
In fifty years or so It's gonna change, you know But, oh, it's heaven Nowadays
And that's Good, isn't it? Grand, isn't it? Great, isn't it? Swell, isn't it? Fun, isn't it? But nothing stays
In fifty years or so It's gonna change, you know But, oh, it's heaven Nowadays.
Billy (as Roxie): The convent of the sacred heart!
Reporters: When'd you get there?
Billy (as Roxie): 1920
Reporters: How old were you?
Billy (as Roxie): Don't remember
Reporters: Then what happened?
Billy (as Roxie): I met Amos And he stole my hear away Convinced me to elope one day
Mary Sunshine: A convent girl! A run-away marriage! Oh, it's too terrible. You poor, poor dear.
Reporters: Who's Fred Casely?
Billy (as Roxie): My ex-boy friend.
Reporters: Why'd you shoot him.
Billy (as Roxie): I was leavin'.
Reporters: Was he angry?
Billy (as Roxie): Like a madman! Still I said, "Fred, move along."
Billy: She knew that she was doin' wrong
Reporters: Then describe it
Billy (as Roxie): He came toward me.
Reporters: With a pistol?
Billy (as Roxie): From my bureau
Reporters: Did you fight him?
Billy (as Roxie): Like a tiger
Billy: He had strength and she had none
Billy (as Roxie): And yet we both reached for the gun Oh yes, oh yes, oh yes we both Oh yes, we both Oh yes, we both reached for The gun, the gun, the gun, the gun Oh yes, we both reached for the gun For the gun.
Billy and Reporters: Oh yes, oh yes, oh yes they both Oh yes, they both Oh yes, they both reached for The gun, the gun, the gun, the gun Oh yes, they both reached for the gun For the gun.
Billy: Understandable, understandable Yes, it's perfectly understandable Comprehensible, comprehensible Not a bit reprehensible It's so defensible!
Reporters: How you're feeling?
Billy (as Roxie): Very frightened
Reporters: Are you sorry?
Roxie: Are you kidding?
Reporters: What's your statement?
Billy (as Roxie): All I'd say is Though my choo-choo jumped my track I'd give my life to bring him back
Reporters: And?
Billy (as Roxie): Stay away from
Reporters: What?
Billy (as Roxie): Jazz and liquor
Reporters: And?
Billy (as Roxie): And the man who
Reporters: What?
Billy (as Roxie): Play for fun
Reporters: And what?
Billy (as Roxie): That's the thought that
Reporters: Yeah!
Billy (as Roxie): Came upon me
Reporters: When?
Billy (as Roxie): When we both reached for the gun!
Mary Sunshine: Understandable, understandable
Billy and Mary Sunshine: Yes, it's perfectly understandable Comprehensible, comprehensible Not a bit reprehensible It's so defensible!
Billy: Reporters: Let me Oh yes, oh yes, oh yes they both Hear it! Oh yes, they both Oh yes, they both reached for The gun, the gun, the gun, The gun Oh yes, they both reached For the gun A little louder! For the gun. Oh yes, oh yes, oh yes they both Oh yes, they both Oh yes, they both reached For the gun, the gun, Now you got it! The gun, the gun Oh yes, they both reached For the gun For the gun.
Billy and reporters: Oh yes, oh yes, oh yes they both Oh yes, they both Oh yes, they both reached for The gun, the gun, the gun, the gun Oh yes, they both reached for the gun.
Oh yes, oh yes, oh yes they both Oh yes, they both Oh yes, they both reached for The gun, the gun, the gun, the gun, The gun, the gun, the gun, the gun, The gun, the gun, the gun, the gun, The gun, the gun, the gun, the gun.
Billy: Both reached for the...gun
Reporters: The gun, the gun, the gun, the gun The gun, the gun, the gun, the gun The gun, the gun, the gun, the gun The gun, the gun, the gun, the gun Both reached for the gun.
Matron: Ask any of the chickies in my pen They'll tell I'm the biggest mother hen I love 'em all and all of them love me Because the system works The system called reciprocity...
Got a little motto Always sees me through When you're good to Mama Mama's good to you!
There's a lot of favors I'm prepared to do You do one for Mama She'll do one for you
They say that life is tit for tat And that's the way I live So, I deserve a lot of tat For what I've got to give Don't you know that this hand Washes that one too When you're good to Mama Mama's good to you!
If you want my gravy Pepper my ragout Spice it up for Mama She'll get hot for you
When they pass that basket Folks contribute to You put in for Mama She'll pull out for you
The folks atop the ladder Are the ones the world adores So boost me up my ladder, kid And I'll boost you up yours
Let's all stroke together Like the Princeton crew When you're strokin' Mama Mama's strokin' you
So what's the one conclusion I can bring this number to? When you're good to Mama Mama's good to you.
Come on babe Why don't we paint the town? And all that Jazz
I'm gonna rouge my knees And roll my stockings down And all that jazz
Start the car I know a whoopee spot Where the gin is cold But the piano's hot
It's just a noisy hall Where there's a nightly brawl And all That Jazz
[COMPANY] Skidoo!
[VELMA] And all that Jazz
[COMPANY] Hotcha! Whoopee!
[VELMA] And all that Jazz
[COMPANY] Ha! Ha! Ha!
[VELMA] So lick your hair And wear your buckle shoes And all that Jazz
I hear that Father Dip Is gonna blow the blues And all that Jazz
Hold on, hon We're gonna bunny hug I bought some aspirin Down at United Drug I case you shake apart And want a brand new start To do that-
[ROXIE] Jazz
[VELMA] Find a flask We're playing fast and loose
[ALL] And all that jazz
[VELMA] Right up here Is where I store the juice
[ALL] And all that jazz
[VELMA] Come on, babe We're gonna brush the sky I bet you luck Lindy Never flew so high 'Cause in the stratosphere How could he lend an ear to all that Jazz?
[VELMA] Oh, you're gonna see your sheba shimmy shake
[COMPANY] And all that jazz
[VELMA] Oh, she's gonna shimmy 'till her garters break
[COMPANY] And all that jazz
[VELMA] Show her where to park her girdle Oh, her mother's blood'd curdle
[COMPANY] If she'd hear her baby's queer For all that jazz
[VELMA] And all that jazz
And all that jazz
Come on babe Why don't we paint The town? And all that jazz
I'm gonna Rouge my knees And roll my Stockings down And all that jazz
Start the car I know a whoopee spot Where the gin is cold But the piano's hot It's just a noisy hall Where there's a nightly brawl And all that-
[COMPANY] jazz
[VELMA] No, I'm no one's wife But, Oh, I love my life And all that Jazz!
And now the six merry murderesses of the Crookem County Jail in their rendition of "The Cell Block Tango".
Pop Six Squish Uh uh Cicero Lipschitz! (4X)
He had it coming He had it coming He only had himself to blame If you'd have been there If you'd have seen it I betcha you would have done the same!
Pop Six Squish Uh uh Cicero Lipschitz!
(2X)
You know how people have these little habits That get you down. Like Bernie. Bernie like to chew gum. No, not chew. POP. So I came home this one day, And I am really irritated, and looking for a little sympathy and there's Bernie layin' on the couch, drinkin' a beer and chewin'. No, not chewin'. Poppin'. So, I said to him, I said, "You pop that gum one more time..." and he did. So I took the shotgun off the wall and I fired two warning shots... ...into his head.
He had it coming He had it coming He only had himself to blame If you'd have been there If you'd have heard it I betcha you would Have dome the same!
I met Ezekiel Young from Salt Lake city about two years ago and he told me he was single and we hit it off right away. So, we started living together. He'd go to work, he'd come home, I'd fix him a drink, We'd have dinner. And then I found out, "Single" he told me? Single, my ass. Not only was he married ...oh, no, he had six wives. One of those Mormons, you know. So that night, when he came home, I fixed him his drink as usual. You know, some guys just can't hold their arsenic.
He had it coming He had it coming He took a flower In its prime And then he used it And he abused it It was a murder But not a crime!
Now, I'm standing in the kitchen carvin' up the chicken for dinner, minding my own business, and in storms my husband Wilbur, in a jealous rage. "You been screwin' the milkman," he says. He was crazy and he kept screamin', "you been screwin the milkman." And then he ran into my knife. He ran into my knife ten times!
If you'd have been there If you'd have seen it I betcha you would have done the same!
Mit kersek, en itt? Azt mondjok, hogy a hires lakem
lefogta a ferjemet en meg lecsaptam a fejet. De nem igaz, en artatlan vagyok. Nem tudom mert mondja Uncle Sam hogy en tettem. probaltam a rendorsegen megmayarazni de nem ertettek meg...
Yeah, but did you do it?
UH UH, not guilty!
My sister, Veronica and I did this double act and my husband, Charlie, used to travel round with us. Now, for the last number in our act, we did these 20 acrobatic tricks in a row One,two,three,four,five...splits, spread eagles, back flips,flip flops, one right after the other. So this one night before the show we're down at the hotel
Cicero,the three of us,boozin', havin' a few laughs and we ran out of ice, so I go out to get some. I come back, open the door, and there's Veronica and Charlie doing Number Seventeen the spread eagle. Well, I was in such a state of shock, I completely blacked out. I can't remember a thing. It wasn't until later, when I was washing the blood off my hands I even knew they were dead.
They had it coming They had it coming They had it coming They had it coming They had it coming all along They had it coming all along I didn't do it She didn't do it But if I done it But if she done it How could you tell me that I was wrong?
They had it coming They had it coming They had it coming They had it coming They had it coming They took a flower All along In its prime I didn't do it And then they used it But if I'd done it, How could you tell me that I was wrong?
I loved Al Lipschitz more than I can possibly say. He was a real artistic guy... sensitive... a painter. But he was always trying to find himself. He'd go out every night looking for himself and on the way he found Ruth, Gladys, Rosemary and Irving. I guess you can say we broke up because of artistic differences. He saw himself as alive and I saw him dead.
The dirty bum, bum, bum, bum, bum The dirty bum, bum, bum, bum, bum
They had it comin' [Group 2] They had it comin' They had it comin' They had it comin' They had it comin' They had it comin' All along All along 'Cause if they used us 'Cause if they used us And they abused us And they abused us How could you tell us that we were wrong?
He had it coming He had it coming He only had himself to blame. He only had himself to blame. If you'd have been there If you'd have been there If you'd have seen it If you'd have seen it I betcha you would have done the same!
You pop that gum one more time! Single my ass. Ten times! Miert csukott Uncle Same bortonbe. Number seventeen-the spread eagle. Artistic differences.
Krátký životopis: Keiko se do podvědomí televizních diváků dostala především svojí opakovanou rolí studentky v dramatu The Warner Bros. 'Felicity' a jako Lane Kimová v seriálu Gilmorova děvčata. Narodila se a vyrůstala v Honolulu, kde zůstala až do svých sedmnácti let. Už v deseti letech měla za sebou svůj herecký debut, když si zahlrála takovou malou roličku ve hře The Best Christmas Pageant Ever. To se jí zalíbilo natolik, že se rozhodla s vystupováním pokračovat. Rodiče ji velmi podporovali. Máma ji brala na konkurzy a pomáhala jí učit se nazpaměť role v jednotlivých divadelních představeních. Po ukončení střední školy Keiko studovala činohru na Whitmanově vysoké škole, ve státě Washington. Vždy během letního volna jezdila do Los Angeles a soustavně pracovala v divadle, v televizi a rovněž ve filmu. Její první profesionální konkurz skončil menší rolí v seriálu Renegade (Odpadlík). Od té doby si zahrála epizodní role, jako například v Beverly Hills 90210, matku neslyšícího chlapce v ER (Pohotovost) či studentskou reportérku v Sister, Sister. Rovněž se objevila v televizním speciálu Strong Medicine , kde si zahrála mladou ženu zápasící s mentální anorexií. Na velkém plátně byla k vidění například v nezávislých filmech Beauty Shop a Hundred Percent (asijsko-americkém dramatu o třech párech, jejich životy jsou vzájemně provázány). Byla členkou Incline theater company a v součastnosti se rovněž věnuje hereandnow, asijsko-americké herecké společnosti, která po celé zemi vystupuje s původními hrami. Koníčkem je jí také její motorka. V současnosti bydlí spolu se svými dvěma kocoury, Sethem a Benem, v Los Angeles
Filmografie: 2002 - Kim Possible - Yori 2001 - Noční můry - Janet Bingham 2000 - Gilmorova děvčata - Lane Kim
"Musím odejít," zašeptala jsem. "Musím jít hned, dokud je tma a dokud všichni spí."
"Takže vážně odcházíš?" zamumlal smutně a odvrátil hlavu.
"Víš stejně dobře jako já, že to musím udělat. A sama," dodala jsem pro jistotu. Drásalo mi to srdce, ale věděla jsem, že dělám správně. Díky té noci jsem si uvědomila, co musím udělat. Včerejší rozchod byl definitivní, tohle bylo opravdu jenom pozdní rozloučení.
V očích se mu zračila bolest, ale viděla jsem na něm, že konečně pochopil. Došlo mu, že nemůže opustit svou matku, svou smečku... věděl, že se otiskne a mně by tím pak ubližoval. Byla jsem si jistá, že mi to nechce ztěžovat.
"Půjdeš mě doprovodit?" zeptala jsem se tiše, aniž bych se na něj podívala.
Neřekl nic, ale po chvilce jsem slyšela, jak vstává z postele. Pohyb za mnou byl tichý, ale jistý. Cítila jsem jeho pohlazení na svých ramenou a bezděčně se otočila.
Podíval se mi do očí s odevzdaným výrazem. Věděl, že tohle je opravdu naposled, co se na nějakou dobu vidíme. Pohladil mě po tváři a přejel až k boku. Pak se ke mně pomaličku nahnul a jemně přitiskl svoje rty na ty moje. Líbal mě jen chvilku, než se odtáhl a objal mě.
"Myslím, že líp jsme se rozloučit nemohli," zašeptala jsem mu do ramene. "Děkuju."